Artificial Hells: Participatory Art and the Politics of Spectatorship

in All Books, Art, Fine Art, Philosophy Of Art, Psychology Of Art, Sociology Of Art
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Serial No. AR0009#
Title Artificial Hells: Participatory and the Politics of Spectatorship
Author(s) Claire Bishop
Publisher Verso
Series Art, Fine Art, Philosophy of art, Psychology of art, Sociology of art
Year 2012
Language English
Pages 386
ISBN 1844676900, 9781844676903
Size 7.5 MB
Extension HQ PDF

About:
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the , the champions of this form of expression are numerous, ranging from art historians such as , curators such as and Nato Thompson, to theorists such as Shannon Jackson.

Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and ; the 1970s Community Movement; and the Placement Group.

It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Paweł Althamer and Paul Chan.Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.

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